Solo exhibitions include The World, the Flesh and the Devil, Kunsthall Trondheim (2026), and Truth Has No Friends in The West, NITJA senter for samtidskunst, Lillestrøm (2025).
Group exhibitions include (be)longing / å falle mellom to stoler, HoF, Moss (2023); Men of Change, Smithsonian Institution Traveling Exhibition Service, US (2020); We Are Not Myths: Opacities Across Difference, CAS / Art Hub, Copenhagen (2019); and the 32nd Biennial of Graphic Arts, Ljubljana (2017). He was artist in residence at Iwalewahaus, Bayreuth, as part of the 49° Grenzüberschreitungen festival Future Ports of Entry (2016).
jelseninnocent@gmail.com IG: @maroon.method
CV Download
Portrait by Ayan Abdi
The space, co-designed and built with artist and designer Kevin Kurang, holds African, Black and Caribbean published accounts as a continuous field of thought.
Seasonal events, talks and gatherings take their direction from the books themselves.
In 2026, Peer Review co-curated Kunstnerforbundet’s Juniutstillingen, Shifting Coordinates / Koordinater i bevegelse in Oslo, Norway.
Full exhibition pamphlet HERE